Menu
Gilles shares six recent arrivals who he currently has on heavy rotation. Nils tells Gilles how perfect preparation doesn't always make for the best live show. Duration: 1:49 Nils Frahm explains. A close friend to Joe Davis for 25 years, Gilles Peterson has been a constant supporter of Joe's original and best UK based Brazilian record label. The pair released the original Brazilika compilation on Gilles' Talking Loud label 15 years ago and now they go full circle with the fourth installment in Far Out's Brazilika series, following block. Adobe illustrator cs6 tryout cracked.
- Far Out Shop: Bandcamp: https://faroutrecordings.bandcamp.com/album/gilles-peter.
- A close friend to Joe Davis for 25 years, Gilles Peterson has been a constant supporter of the original and best UK based Brazilian record label. The pair released the original 'Brazilika' compilation on Gilles' Talking sic Loud label 15 years ago and turn full circle with the fourth installment sic in Far Out's series, following block.
Various Artists - Far Out Spaced OddysseyAlthough electronic artists have long raided it for samples, genuine Brazilian music is something of a niche market outside of South America itself. That's where London-based Far Out Recordings have laid out their stall however; offering not just the wares of Brazilian-influenced producers like Flytronix and Mark Pritchard's Troubleman project, but also importing new indigenous acts such as Sabrina Malheiros, alongside reissuing rare masterpieces from Brazilian legends like Azymuth and Joyce. Far Out boast a back catalogue that has won them many loyal customers, not least Gilles Peterson, Kenny Dope and 4 Hero, all of whom have mixed editions of the label's Brazilika series.
As with many specialist concerns, those compilations could all seem slightly samey if you're not actually an aficionado yourself. Most people can tell the difference between samba and bossa nova, but dilettantes may hear a lot of Brazilian music blending into a blur of thundering percussion, sultry jazz and Latin vocals, glorious though it so often is.
The third Brazilika, mixed by Andy Votel, was the exception to that 'get one and you've got them all' rule though. Subtitled 'Subtropical Sunstroke Psych-Out,' Votel's contribution took Far Out on a sharp swerve left into the strange fringes of Brazilian rock to unearth old artists who seemingly had as much in common with the oddball psychedelia Votel puts out on his Finders Keepers imprint as they did with the more traditional Latin music which is Far Out's normal stock-in-trade. It was a true journey into uncharted territory in a way so few compilations of any genre really are, and it's territory that Far Out delve even deeper into with Far Out Spaced Odyssey.
Widening the remit to include jazz, folk and electronica from the '70s to the present day, this vinyl-only compilation serves as an eye-opening reminder that there's much more to Brazilian music than carnival dancers whooping it up to samba bands in Rio De Janeiro. Indeed, Jose Mauro's 'Apocalipse' or Reza Brava's 'Piri' sound more like the soundtrack to some hippy free festival on the weird hinterlands of folk where Tunng reside. Things then get even weirder still, as an unsettling ambient mist envelops Rabotnik's 'Jonas' before being blown away by the short space rock storm of Binario's 'E Ai Galera Voltei.' And although they might be synonymous with the vintage sound of Brazil, Azymuth themselves take a ride on this spaceship with the sprawling psychedelic jazz-funk groove of 'Caca A Raposa' and the mellifluous keys and broken beats in Rabotnik's remix of 'Os Cara La.' Ultimately, Far Out Spaced Odyssey belongs not to any single country but to a world beyond musical boundaries—and most definitely in your collection.
As with many specialist concerns, those compilations could all seem slightly samey if you're not actually an aficionado yourself. Most people can tell the difference between samba and bossa nova, but dilettantes may hear a lot of Brazilian music blending into a blur of thundering percussion, sultry jazz and Latin vocals, glorious though it so often is.
The third Brazilika, mixed by Andy Votel, was the exception to that 'get one and you've got them all' rule though. Subtitled 'Subtropical Sunstroke Psych-Out,' Votel's contribution took Far Out on a sharp swerve left into the strange fringes of Brazilian rock to unearth old artists who seemingly had as much in common with the oddball psychedelia Votel puts out on his Finders Keepers imprint as they did with the more traditional Latin music which is Far Out's normal stock-in-trade. It was a true journey into uncharted territory in a way so few compilations of any genre really are, and it's territory that Far Out delve even deeper into with Far Out Spaced Odyssey.
Widening the remit to include jazz, folk and electronica from the '70s to the present day, this vinyl-only compilation serves as an eye-opening reminder that there's much more to Brazilian music than carnival dancers whooping it up to samba bands in Rio De Janeiro. Indeed, Jose Mauro's 'Apocalipse' or Reza Brava's 'Piri' sound more like the soundtrack to some hippy free festival on the weird hinterlands of folk where Tunng reside. Things then get even weirder still, as an unsettling ambient mist envelops Rabotnik's 'Jonas' before being blown away by the short space rock storm of Binario's 'E Ai Galera Voltei.' And although they might be synonymous with the vintage sound of Brazil, Azymuth themselves take a ride on this spaceship with the sprawling psychedelic jazz-funk groove of 'Caca A Raposa' and the mellifluous keys and broken beats in Rabotnik's remix of 'Os Cara La.' Ultimately, Far Out Spaced Odyssey belongs not to any single country but to a world beyond musical boundaries—and most definitely in your collection.
- Published /
Mon / 1Feb 2010 - Words /
Paul Clarke - Tracklist /
01. Jose Mauro - Apocalipse
02. Piri - Reza Brava
03. Aleuda - Galope (A.P.E Remix)
04. Joyce | Nana Vaconcelos | Mauricio Maestro - Tudo Bonito
05. Binario - Diretriz
06. Rabotnik - Jonas
07. Binario - E Ai Galera Voltei
08. Kirk DeGiorgio's Offworld - Black Magic
09. Azymuth - Caca A Raposa
10. Azymuth - Os Cara La (Rabotnik Remix)
Sabrina Malheiros
Sabrina Malheiros (born 1979) is a Brazilian MPB singer/songwriter. Her music has been described as 'nu bossa', combining house beats with jazz and samba influences and 'cool, detached-sounding vocals',[1] and critics have compared her to Brazilian contemporaries Bebel Gilberto and Céu.[2][3]
Biography[edit]
![Peterson Peterson](https://d23sy9fe9womrt.cloudfront.net/4/20344_1_office-listening-giles-peterson-brazilika_ban.jpg)
Malheiros was born in the city of Rio de Janeiro.[4] She is the daughter of Azymuth bassist Alex Malheiros.[5] She was interested in music from a young age, enrolled in music school at age six,[4] and made her first studio recording before age seven.[1] She cites Azymuth and João Gilberto as early influences on her musical style.[4]
Star wars empire at war battlefront commander. Malheiros's first commercially distributed recording was the title track of Azymuth's 1991 album Curumim, on which she sang lead vocals.[4] Her debut album, Equilibria, was released in 2005.[1] Malheiros wrote or co-wrote nine tracks on the album.[4] Her second album, New Morning, was released in 2008 and was arranged by Arthur Verocai.[2] Both albums were produced by Daniel Maunick[1] and released on the Far Out Recordings label.[3][4] A remastered and partially reworked 'Deluxe Edition' of New Morning was released in 2009, containing a few extra tracks and an increased emphasis on instrumentation.[5]
What is pbr image windows 10. Malheiros made her UK concert debut on 18 May 2005 at Jazz Cafe in London.[6]
Discography[edit]
Albums[edit]
- 2005: Equilibria
- 2006: Vibrasons
- 2008: New Morning
- 2009: New Morning (Deluxe Edition)
- 2011: Dreaming
- 2017: Clareia
Singles and EPs[edit]
- 2003 – Iemanja (The Mermaid) (12') Remix
- 2004 – Estacao Verao (Kenny Dope Remixes) (12') Remix
- 2005 – Equilibria (Álbum Sampler) (12') Remix
- 2005 – Maracatueira (Incognito Remixes) (12') Remix
- 2005 – Passa / Capoeira Vai (12') Remix
- 2006 – Terra De Ninguem (Nicola Conte Rework) (12') Remix
- 2008 – Connexão (12') Remix[7]
- 2015 – Opará (12') (Ashley Beedle's Africanz On Marz Remix)
- 2017 – Clareia Remixes (12') (Henry Wu, Dego-2000 Black & IG Culture Remixes)
Featuring[edit]
- 1990 – Curumim – Azymuth (CD) Intima Records
- 1998 – Pieces of Ipanema – Azymuth (CD, LP) Far Out Records
- 2000 – A Terceira Morte de Joaquim Bolivar (Film/DVD) – Soundtrack
- 2001 – V – United Future Organization (CD, LP) Exceptional Records
- 2002 – Superágua – Superágua (CD) Zoo Records
- 2004 – Brazilian Soul – Azymuth (CD) Far Out Recordings
- 2009 – The Wave – Alex Malheiros & Banda Utopia Feat. Sabrina Malheiros (CD, LP) Far Out Recordings
- 2009 – Brazilika – Gilles Peterson (CD, LP) Far Out Recordings
- 2011 – Aurora – Azymuth (CD, LP) Far Out Recordings
- 2012 – Clementine Sun – Khari Cabral Simmons Dome Records[7]
- 2015 – Muriel (Série Deluxe) – Sean Khan (CD) Far Out Recordings
- 2018 – Palmares Fantasy (feat. Hermeto Pascoal) – Sean Khan (CD, LP) Far Out Recordings
References[edit]
- ^ abcdSiobhan Murphy, 'Sabrina Malheiros brings hip-swaying bossa nova', Metro (1 September 2008)
- ^ abMark Hudson, 'Pop CDs of the week: Céu, Sabrina Malheiros, Sharleen Spiteri and more.', Telegraph (12 July 2008)
- ^ abJane Cornwell, Sabrina Malheiros is born to bossa', London Evening Standard (3 September 2008)
- ^ abcdef'Sabrina Malheiros: Biography'Last.fm
- ^ abLloyd Bradley, 'Jazz/funk with a Latin flavour – like the best from Al Di Meola and Johnny Hammond', BBC (12 November 2009)
- ^'18 May Sabrina Malheiros Jazz Cafe 7pm' 'flyglobalmusic.com'
- ^ ab'Discography' 'discogs.com'
External links[edit]
Gilles Peterson Brazilika Zip File
- Official website
- Sabrina Malheiros discography at Discogs
Gilles Peterson Brazilika Zip Line
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Sabrina_Malheiros&oldid=956514810'